čtvrtek 13. ledna 2011

[O953.Ebook] Free Ebook Dr. Dre in the Studio: From Compton, Death Row, Snoop Dogg, Eminem, 50 Cent, The Game and Mad Money & The Life, Times and Aftermath of the

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Dr. Dre in the Studio: From Compton, Death Row, Snoop Dogg, Eminem, 50 Cent, The Game and Mad Money & The Life, Times and Aftermath of the

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Dr. Dre in the Studio: From Compton, Death Row, Snoop Dogg, Eminem, 50 Cent, The Game and Mad Money & The Life, Times and Aftermath of the

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Dr. Dre in the Studio: From Compton, Death Row, Snoop Dogg, Eminem, 50 Cent, The Game and Mad Money & The Life, Times and Aftermath of the

Describing how Dr. Dre was molded into one of the world's greatest hip-hop producers, this biography chronicles his rise to success, beginning with when he was just three years old. It then details his days as a deejay, showing how he mixed and spun his way to the top—using Grandmaster Flash as his catalyst—and eventually embarked on his destiny as the most in demand and greatest record producer in the world.


  • Sales Rank: #1262557 in Books
  • Brand: Brand: Amber Communications Group, Inc.
  • Published on: 2007-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .34" w x 5.51" l, .50 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Used Book in Good Condition

About the Author
Jake Brown is the author of 12 books, including 50 Cent: No Holds Barred; The Story of Biggie Smalls (Notorious B.I.G.); Suge Knight: The Rise, Fall and Rise of Death Row Records; and Tupac: In the Studio.

Most helpful customer reviews

11 of 11 people found the following review helpful.
The Pretox to Detox
By Ghost in the Matrix
By now, Dre's musical influence acting as a template for other Producers has grown to such a common knowledge in the industry that it doesn't need saying anymore. However, one point that could stand a little more attention is how dre has single handedly managed to turn rap into a Producers game on the mainstream level. Prior to Dre's celebrity, producers enjoyed the limelight either in their own circles, on the undergroud or in front of the camera if they were the song and dance type. But after dre, suddenly everyone is checking to see who produced what song. This is not to say that DJ's were anonymous all this time, but certainly Dre has pushed our recent facination of them into the spotlight.

Part of this facination has raised the question: "What is it exactly that Producers do?" Lesser known producers have tried to answer this question and more often than not we are left unsatisfied. Maybe because what we are all really wondering is "What is it exactly that Dr.Dre does?" And that's where this book becomes what most fans, inquirers and even skeptics have been waiting for.

First, it might be helpful to describe what the book isn't: It isn't current, though you can tell it wishes that it was. This book apparently was not a passport inside the studio while Dr.Dre works his magic. So you're not going to find a recent, first hand account of Dre orchestrating, producing, conducting, coaching or guiding his musicians and artists. Descriptions like that happened after the Chronic, when a journalist described Dre taking a sample and re-shaping it with his own sounds. BTW, this early description is recounted in this book. But it's not clear if this is how Dre still crafts his beats. Surely his production methods have evolved.

You also won't find any new material or interviews with the man himself. But this is a mild dissapointment that passes when you realize that the author has taken the time to make a gumbo soup of quotes that came from the people who have worked with Dre over the years. Like the Ronin-Ro biography, most of these quotes are blow backs from interviews I read already. But having various sources under the same roof validating each other should at long last bring closure to some of the controvesy surrounding Dre's studio habits.

The most helpful and insightful pieces to this book are the quotes from the "2001" co-producer Mel-Man. His interviews and excerpts are entirely new (as far as I can tell) and save the book from being nothing more than a re-hashing of old information. Mel confronts and conclusively answers all those lingering questions about Dre stealing credit from other producers and more importantly what it is that a Producer like Dr.Dre does exactly in the studio. It helps that Mel's response are concise and well articulated -- a big relief compared to the choppy responses we usually get from rap artists. Mel-Man's contributions to this book alone justify the cost of this book.

Those who have been anticipating the release of "Detox" will be even more anxious once they get through the last chapter of this book. Both Mel-Man and Scott Storch give some curious clues as to what to expect for Dre's last and most anticipated body of solo work yet. According to Storch, the results heard thus far are overwhelming.

This is definitely a book to have. Aside from a few embarrassing typos (which made me wonder if I had been sent a working copy), I was really satisfied at the end of my read. This is probably as good as we're going to get until Detox hits the streets, at which point we won't need a biographer since the music will undoubtedly speak for itself.

0 of 0 people found the following review helpful.
"To put him into proper context, Jake Brown is like the poor man's Ronin Ro"
By don.wolfberg
Where do I start with Jake Brown? To put him into proper context, Jake Brown is like the poor man's Ronin Ro . . and Ronin Ro is like the C student of music biographies. I say this because they both essentially do the same thing, their books are comprised of compilations of quotes from over the artist's career. Interestingly both Ronin Ro and Jake Brown have books on Dr. Dre (and Prince as well). Ronin Ro fails to keep the quotes within the chronological narrative . . he also fails to use quotation marks many times often. So the writer's dialogue leads write into a quote without any indication that you are now reading a quote. He also types like a hip-hop forum poster, leading me to believe the quotes are directly copied and pasted in from online forums. Example, he uses the letter 'z' in place of 's'. His most glaring offense is getting dates wrong throughout the book, not just this book but his other books as well - example, calling Snoop's 'Doggystyle' a 1994 album when it came out in November of 1993 is a minor offense when you compare him getting entire decades wrong. Like, who remember when Tupac was signed to Death Row in 2005? Ya, like that. Also 'The Firm' album coming out in 2006 . . Ya, exactly

However, the subject is Dr. Dre - which means if you compile any relevant information about him it's going to be an interesting read. There aren't many books about Dr. Dre. If you were a college professor comparing Jake Brown's attempt vs. Ronin Ro's attempt; you would be looking at a just barely passing D- student compared to a B- student. Jake Brown would be like the kid who really doesn't care about what he's doing but turns the work in anyway so he gets some grade rather than no grade. This review is just to let you know what you're getting, not to disparage the author. I have respect for what he does. If you look up his name along with the word "scam" you'll notice claims from music bands that he's hustled sponsor fees from to distribute their music alongside his book, apparently he attempts this in the rock music community but not in the hip-hop community. Seems to be a dated accusation though. However that, combined with this book tells me he's a hustler, I make no judgements, some people respect that sort of thing. These books are self-published, he makes about $10 a book as they tend to fall under the 150 pages threshold. he pays about $6 a copy to print these. If you really think about it . . in a novelty sense, there's something cool about this. If you're really look for a good book about Dr. Dre 'Rollin With Dre' by his former assistant is pretty good. Unfortunately there aren't many books about Dr. Dre, there's another one by some biographers that come off like they're writing from a law office that ran out of business and had to resort to writing biographies about artists they know nothing about . . example, here's a loose quote " . . so what is a "G" thang? Not sure exactly" - nonetheless, without knowing their subject biographers manage to put together books. Being that Jake Brown is self-published and has been doing this for awhile, he certainly takes no pride in his work so I have no qualms about saying this but I wonder how someone can be less-than-mediocre at what they do and yet still sustain a viable business. So I've looked into "Jake Brown" and tried to gather as much as I could about his business model, apparently you just put a book up about someone that who people are likely to search for and you make a few sales here and there. With all the above mentioned, I do recommend this book. Could you imagine this guy is somewhere like "just a few more of these cash grabs and then I can finally put out my life work, the book I've been working on for all these years" and it's like actually really good. Ha

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