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L'instinct de mort, by Jacques Mesrine
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- Sales Rank: #1944621 in Books
- Published on: 1984
- Original language: French
- Number of items: 1
- Dimensions: 1.06" h x 5.79" w x 9.37" l,
- Binding: Paperback
Most helpful customer reviews
3 of 3 people found the following review helpful.
Death Wish
By Keith A. Comess
Jacques Mesrine was the French counterpart to America's John Dillinger. He was media savvy, good looking, astute in his assessment of the zeitgeist and quite smart. Unfortunately, the counterpart of all that was his unapologetic violence; but, by-and-large, that was and remains his great attraction. His reputation lives on, in large part due to his 1977 autobiography, "L'instinct de mort". In 2008, Vincent Cassel (in a stunning performance) played Mesrine in the two-part film adaptation of, "L'instinct de mort"(directed by Jean-François Richet and written by Abdel Raouf Dafri). The movie is generally true to the book and well worth seeing. Regardless, it generated renewed interest in Mesrine. The French company, Flammarion/Pocket, still sells the book. As far as I know, the English translation remains out-of-print. Hopefully, a re-issued translation will be forthcoming. This review is from the 2008 French/Pocket edition.
Jacques was an unapologetic sociopath and not all that likeable. However, his brutal candor is refreshing: "J'étais déprimé avec malgré tout une rage de vivre dans le fond de moi même. Cette violence intérieure me faisait envisager les solutions extrêmes pour me sortir de ma minable condition de vie". During the War, his family were maquisards. Mesrine père was a German POW and was the absent father figure for whom Mesrine fils pined. Jacques' formative encounter with a Nazi officer molded his behavior into expressions of sympathy with the "common man": witness, for example, his intercession on behalf of hapless Algerian peasants during the French-Algerian War, a brutal conflict in which Mesrine served in combat (as a volunteer). Of course, the "nature vs. nurture" issue remains relevant, but it was, in my estimation, these two experiences that helped render him "gun crazy", preditory and cynical. It was his cunning that allowed him to successfully portray himself as a modern-day Robin Hood.
Jacques delivers many a lacerating, penetrating and timeless condemnation of modern society: "Qu'avais-je vu? Des gueules tristes, des regards fatigués, des individues usés par un travail mal payé mas bien obligés de le faire pour survivre, ne pouvant s'offrir que le strict minimum. Des êtres incapables de satisfaire leur moindres désires, condamnés à être des rêveurs permanents devant les vitrines de luxe et les agences de voyages. Des estomacs, clients attitrês du plat du jour et du petit verre de vin rouge ordinaire. Des êtres connaissant leur avenir puisque n'en ayant pas, des robots exploiteés de fichês, respectueux des lois plus par peur que par honêteté." These sentiments place him squarely in the nascent counter-cultural vision of Western civilization: against "the establishment", condemning the "man in the gray flannel suit", the non-conformist raging against the suffocating effects of modern society on creativity, individuality, enforced by a police-machine in the service of moneyed interests.
Mesrine strips away every affectation and his book is literally searing in its honesty. Of course, some of his observations (especially on women) sit poorly in the current Western social milieu. Take, for instance his Céline-like characterization of an elephantine female saloon-keeper: "La patronne du bar, une vieille maquerelle, me parlait toujours avec un certain respect dans la voix...Son lit m'aurait été sûrement ouvert...Mais, même à moitié saoul, j'étais tourjours resté assez conscient pour ne pas servir de couverture a ses cent dix kilos de bonned graisse visqueuse...je m'étais amusé à l'imaginer sur le dos, les pattes écartées, avec ses seins flasques et énormes pendant sur le coté comme deu drapeaux en berne." Very pungent. Not too nice. Very, very funny. While Jacques studied at the prestigious Catholic school Collège de Juilly, his bank robbing, kidnapping, country-hopping, incarceration-burdened career probably didn't leave him much time for reading, so I view the book as entirely original.
Doubtless, armchair psychologists could have an orgy of gratifying "insights" into Mesrine's personality and find all sorts of dubious explanations for his sociopathic behavior. Mesrine admits a few of them himself (striving for paternal approbation, at least transiently). The very fact that the book provides such a clear and unvarnished self-portrait speaks for its integrity as a biography; as a social commentary; as an adventure story; and as a literary work. Unlike Emit Grogan's contrived and derivative book ("Ringolevio"), Mesrine delivers a compelling portrait of life outside the law. Its well worth reading.
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